An Indian sari fabric brought in by Brooks LTD customer Lauren, to be made into a one-of-a-kind, custom dress

The muslin fitting at the Brooks LTD atelier

Inspecting your entire roll of fabric is extremely important when creating a custom garment.

Look over the entire length of fabric you choose… sometimes fabric can have flaws down the roll. Lauren’s fabric had some circular marks down the center of the garment, likely from a changing of the thread. However, we were able to work around them based on the design we chose.

Finding the “right” side of the fabric for a custom ensemble is a critical step in the process.

A happy client in her custom Brooks LTD dress, made using her own Indian sari fabric

Back details of the custom Brooks LTD sari fabric dress

One-of-a-Kind Designs by Brooks LTD

As a formally-trained fashion designer with expertise in couture, I design one-of-a-kind, custom garments, as well as limited edition ready-to-wear.  Every piece is made to last the wearer a lifetime, balancing a sense of timelessness with current trends.  A thoughtful, well-crafted piece of clothing can be a great investment for your wardrobe, offering tons of “mileage” for years to come.  Let’s chat about how we can transform your wardrobe in simple, easy ways with just a few custom designs – visit the Contact page of my website to get started.

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The DAM’s Florence Müller and fashion editor Georgia Benjou in intimate conversation for their Denver Fashion Week workshop

Seven years ago, Florence was first introduced to Denver as an independent curator from France, bringing the acclaimed Yves Saint Laurent exhibit to the DAM (which was, in fact, the exclusive US venue for this show).  The show was an overwhelming success.  Florence attributed that success to the wide range of people, coming from all walks of life in Denver and the greater Rocky Mountain area, who came to see and learn about fashion.  It was clear that fashion sparked an interest in the public here – an indication that the exhibit was on the right track.  In 2015, Florence was bought on in an official, permanent capacity as the DAM’s Avenir Foundation Curator of Textile Art and Fashion.

The Shock Wave exhibit at the Denver Art Museum. Photo by McKenzie Coyle for 303 Magazine.

Shock Wave was the first exhibit that Florence curated from her new DAM curatorial position – a stunning retrospective of groundbreaking Japanese fashion from the 1980s and 90s.  She explained how she reached out to local retail proprietress Cathy Covell from Lawrence Covell to acquire pieces for the show, as Cathy’s store was one of the first in the country to carry several of the designers featured in the exhibit.  Florence and her team sought to integrate their work within the local community, also calling upon fashion-forward boutique Goldyn to host a private opening reception and fashion show in conjunction with the exhibit.

A favorite look from the Dior show at the Denver Art Museum

Since these first two (frankly out-of-the-ballpark) exhibits, Florence has hardly taken a break.  She’s been hard at work bringing more top-tier programming to the museum, including The Dior show last year.  During the talk, I learned that there are four more exhibits scheduled in the next few years – the first of which is slated for Sept 2020, yet to be announced.  We will all wait anxiously in anticipation!

Denver designer Mona Lucero and I with new fashion friend Kate Nelson, eagerly awaiting Georgia and Florence’s talk for Denver Fashion Week.  Photo courtesy of Kate Nelson.

I had the opportunity to chat one-on-one with Florence after her conversation with Georgia that evening.  Knowing her background working with the likes of Chanel, Dior, Gucci and Celine, I was curious to hear about the quality of designer dresses walking the runway in a show.  As a couture designer, I know that whipping up a dress for a runway show can be very trying, requiring many last minute adjustments, as compared to coming up with a custom piece for a client.  I was curious about her knowledge of what the inside of one of these runway confections looked like.  She had a long explanation that spoke to her expertise: essentially that each situation is different, but for the most part, the insides are not completed like a normal couture gown.  Just as I suspected!  There’s an interesting twist however; For this reason, these runway pieces can actually be much more expensive than a finished garment.  Why, you may ask?  Because it is a ‘true’ original gown.  A collector’s piece if you will.  A work of art in-progress where the creator adds last minute touches before it goes down the runway.  Creative freedom by the designer.  Music to my ears!  

Mona Lucero and I, post talk.  Photo courtesy of Kate Nelson.

Florence also spoke about the 1980s as being a period of designers’ creative freedom, versus the 1990s where big companies began to rule the destiny of major fashion houses.  Of course, in order to succeed, a design house must make money on their products.  However, as Florence stated, designers were less ruled by the owners of the larger holding companies in the 80s – more free to create their art – whereas now creativity is only part of the big picture.  

I could relate to a lot of what she was talking about.  Even though I am a small independent designer, where I am lucky to have creative control over everything, I still need to consider the end result: selling my work.  It’s always a fine line between art and commerce.  This past weekend, I had a related realization while chatting with some CSU students (more on that later), where I said, “I should just try making clothes that I want to wear, as a total experiment to see if they are desirable.”  I’ll be the first to admit I can overthink what I do in order to please the public.  Maybe I’m onto a new direction?  Stay tuned.

Couture by Brooks LTD

Couture fashion is a rare commodity these days.  I’m lucky to have made a career out of it for over 45 years in my beloved City of Denver.  If your next holiday party, wedding or other special occasion calls for standing out in a one-of-a-kind dress, please think of Brooks LTD.  Visit the Contact page of my website and we can schedule a time to sit down and discuss your needs.

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On Friday, October 25th and Saturday, October 26th I’ll be opening up my atelier for a fall trunk show, in conjunction with talented jewelry artist Andrea Li.  Expect to find my latest fall ready-to-wear collection of draped, asymmetrical tops, along with some classic designs and of course the opportunity to check out the Golden Dreams couture collection that just debuted on the runway.  Andrea will also have her latest collection of sculptural necklaces and earrings, titled Jewel Box, for sale.  Bites and bubbles provided.

Save the date and RSVP by emailing designroom@brooksltd.net or on Facebook here.  We’ll hope to see you there!

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